born in Shizuoka,Japan
2015 Group show“How to deal with the phantom ”Galerie AUBE/Kyoto
2016 “1_WALL”Guardian Garden/Tokyo Group show
“The same work of art will be exhibited simultaneously at six venues”FAITH/Tokyo, Roji to Hito/Tokyo, Printz/Kyoto, The HIKARI/Osaka, ninho/Osaka
2017 “ULTRA Global Award 2017”Galerie AUBE/Kyoto
2018 Group show “KAISEI by LAGON+NICE SHOP SU”
“KAISEI TOKYO”KG gallery/Tokyo
“KAISEI PARIS ”Galeie P38/Paris
“KAISEI OSAKA ”pehu/Osaka
2018 Solo show “MOVEMENT”, y.gion /Kyoto
2019 Solo show“P/F”,Tokyo Musashino Academy of Art
2020 Group show“WONDER”,Daimaru Umeda/Osaka
2020 Group show“Days”,galleryTOWED/Tokyo
2021 “ARTIST’S FAIR KYOTO”The Museum of Kyoto/Kyoto
Solo show”A=a,”LVDB BOOKS/Osaka
Solo Show”5 years” People/Tokyo
2022 Group show”A mobile greenhouse by Sae Fujita and Ayaka Sanuki” alternative space yuge/Kyoto,LVDB BOOKS/Osaka
Solo Show “SCALE”Ao-hata books/Fukuoka
Group show”Canadian man’s 7days” fluss/Tokyo
Grants, Scholarship
2020 POLA Foundation Overseas Study Program for Artists
2020 OGASAWARA Toshiaki Foundation Grants for Contemporary Artist
2021 YOSHINO GYPSUM ART FOUNDATION
statement
We cannot see things with other people’s eyes, nor can we see the landscape as others see it. Therefore, every painting is only a depiction of a particular person or landscape as seen by its creator.
Nevertheless, painting is not an “description” or “record” of a particular figure or landscape, but rather attempts to transform them into polymorphic objects that can be anyone or anything by stripping their details away. Its aim is to establish a method (rule) for overcoming the distinction between individuality and universality, or concreteness and abstraction.
個展『a=A,』LVDB BOOKS/大阪
個展『ここ5年』People/東京
2022年 『藤田紗衣と佐貫絢郁の移動式菜園ハウス』Alternative Space yuge/京都,LVDB BOOKS/大阪
個展『SCALE』本屋青旗/福岡
2023年 個展『勉強の日』Bank ART Station/横浜
2024年 『伝統のメタボリズム～見立て～」』SHUTL/東京
『a hue and cry.』アートかビーフンか白厨/東京
個展『的形』M1997/姫路
個展『手紙を書くわ』ハラカドギャラリー/東京