CV

born in Shizuoka,Japan

2015 Group show“How to deal with the phantom ”Galerie AUBE/Kyoto

2016 “1_WALL”Guardian Garden/Tokyo　　Group show 

     “The same work of art will be exhibited simultaneously at six　venues”FAITH/Tokyo, Roji to Hito/Tokyo, Printz/Kyoto, The HIKARI/Osaka, ninho/Osaka

2017 “ULTRA Global Award 2017”Galerie AUBE/Kyoto

2018 Group show “KAISEI　 by LAGON+NICE SHOP SU”

　　　“KAISEI　TOKYO”KG gallery/Tokyo

   　 “KAISEI PARIS ”Galeie P38/Paris           

      “KAISEI OSAKA ”pehu/Osaka

2018 Solo show “MOVEMENT”, y.gion /Kyoto

2019 Solo show“P/F”,Tokyo Musashino Academy of Art

2020 Group show“WONDER”,Daimaru Umeda/Osaka

2020 Group show“Days”,galleryTOWED/Tokyo

2021 “ARTIST’S FAIR KYOTO”The Museum of Kyoto/Kyoto
         Solo show”A=a,”LVDB BOOKS/Osaka
         Solo Show”5 years” People/Tokyo

2022 Group show”A mobile greenhouse by Sae Fujita and Ayaka Sanuki” alternative space yuge/Kyoto,LVDB BOOKS/Osaka
          Solo Show “SCALE”Ao-hata books/Fukuoka
          Group show”Canadian man’s 7days” fluss/Tokyo

Grants, Scholarship

2020　 POLA　Foundation Overseas Study Program for Artists

2020  OGASAWARA Toshiaki Foundation Grants for Contemporary Artist

2021  YOSHINO GYPSUM ART FOUNDATION

statement

We cannot see things with other people’s eyes, nor can we see the landscape as others see it. Therefore, every painting is only a depiction of a particular person or landscape as seen by its creator.

 Nevertheless,  painting is not an “description” or “record” of a particular figure or landscape, but rather attempts to transform them into polymorphic objects that can be anyone or anything by stripping their details away. Its aim is to establish a method (rule) for overcoming the distinction between individuality and universality, or concreteness and abstraction.